What’s on my desk today (and my iPod)?
The season ended with a memorable performance of Mahler's Ninth Symphony at New England Conservatory.
This incredible work was the emotional end to the schooling of quite a few students.
This summer I will be at the Sarasota Music Festival run by my old friend and colleague,
Robert Levin, who will be the soloist in a Beethoven piano concerto. Then I return to the Aspen Music Festival
for a week of teaching and conducting. The new season starts with Mahler's Fifth Symphony at NEC and concerts
in and around Vienna with the Tonkünstler Orchestra.
"Mr. Wolff and his young charges closed the concert with a bang-up performance of Shostakovich’s Symphony No. 6. The Presto finale, with the young players reveling in the thrill of collective virtuosity, was sheer joy." – The New York Times
"Wolff's Shostakovich 10 was powerful, three-dimensional and devastating, and the Atlanta Symphony blossomed by his approach. Much of the opening movement builds to an unbearable tension. Wolff paced it tautly and meaningfully, with understated authority. When the music finally crossed that emotional threshold and plummeted into some dark netherworld of a broken psyche, Wolff did not, would not, relent... Credit Wolff with delivering the crucial essence of a harrowing masterpiece of the 20th century."
"Conductor Hugh Wolff presided over one of the Utah Symphony’s most high-spirited programs of the season on Friday. From Beethoven’s ever-popular “Leonore” Overture No. 3 to Saint-Saëns’ playful Cello Concerto No. 1 to Charles Ives’ invigorating Symphony No. 2, the concert was a sheer delight."
"The evening's strength was the conductor, Hugh Wolff, an urbane host who without undue Sturm und Drang made Mendelssohn's Scottish Symphony, the composer's third, an absolute delight."
Click here to read the full review from the Washington Post.